- SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE FULL
- SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE PROFESSIONAL
- SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE SERIES
- SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE FREE
SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE FULL
Quick-response brass construction Body engraving High copper-content brass Interchangeable straight and curved necks Full range of adjusting screws Tapered pivot screws Blued steel needle springs Treated kid leather pads Metal pad resonators for added projection Raised left-hand palm keys Plastic left-hand thumb rest Adjustable metal right-hand thumb rest High F# and G keys Orders are generally shipped the following business day after payment is received.
SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE SERIES
Rivet-less metal tone boosters result in projection without buzz or distortion.Ergonomic key placement Series III bore Mini-rib. Rivet-less Metal Tone Boosters Kik pads provide an airtight seal.
SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE FREE
Enhanced Resonance Reducing the size and weight of the ribs(the body plates supporting the posts) by 30% results in a more free vibration of the instrument and enhanced resonance. The tone is characteristic of Selmer Paris smooth. It is especially praised by alto and tenor players doubling on soprano because of its familiar keywork. The Series III Soprano Saxophone is at the top of the Selmer Paris line. more product/instrument: Tear in leather of case. Any instrument can bĬlick an Image to Enlarge Selmer Paris Series III Model 53 Soprano Saxophone Lacquer Engraved 886830138119 463173M.901.009 Specific details about this. It was played by my repairman to test it.
This instrument has only been played once So it has been used once. All models feature fine engraving on their bodies and bells. New lighter weight cases thoroughly protect the instruments and offer excellent storage capacity. Excellent response and steady intonation. The instruments feature Selmer USA mouthpieces that help to create an even tone. Other features include a traditional bell flare, high F# mini-rib construction multiple adjusting screws, and treated leather pads.
SAM ASH SELMER REFERENCE 54 ALTO SAXOPHONE PROFESSIONAL
Key design is compact with professional spring tension for quicker facility. And teachers also prefer it for embouchure and air stream development. This combination provides for superior response. The acoustic response of Selmer LaVoix II saxophones is quick and fluid through all registers and the neck is specially designed with slight resistance. These new instruments incorporate the"right" features, resulting in instruments that are lighter in weight and deliver all the performance demanded by today�s top players. Alto, tenor and baritone models are capturing the interest of today�s upcoming artists and delivering a modern French sound at an exceptional price. Selmer LaVoix II saxophones are fun to play because they sound great. Express yourself through a voice based on the great Selmer tradition. The Selmer LaVoix II story is about sound. However it is in brand new condition.Selmer STS280RC La Voix II Tenor Saxophone Outfit(Copper Brass body and keys) list price $3.248.00. This label can be seen on the second picture: The Bell to body construction.Selmer STS280RC La Voix II Tenor Saxophone Outfit(Copper Brass Body This instrument has only been played once So it has been used once. Look for B&S BLue Label Alto or Tenor and see what players have to say about them.Īs you may know, the early blue label models are VERY rare.ī&S Blue Label circa 1975.
(1970's hand crafted make)This is not to be confused with one of the recent B&S stencil models. Think focused centered and THICK big bore tone. It is many a players opinion that it is a better made horn than most of the Japanese made counterparts. This sax is definitely comparable feel and tone wise and can go from smoke and sultry to getting that big bore post bop Joe Henderson mean sound. Let's go back to what I found on the internet withįor those of you who havn't heard or played a B&S Sax.I reference it to a Selmer. I must say this instrument, being one of the earlier ones, has If anyone has additions to this information feel free to E-mail me I can have had my hands on different B&S saxophones This site contains the name of a lot of manufacturers. Why would a factory change machinery and use of materials in order Seems to be of a better quality than their origin. Lot about these instruments and makers can be found at It is often said that these american stencil instruments are of a lesserįor the European market and especially the French market you willĬontrary to the the American way of working the European stencils These are the so called stencil instruments. This was the way to expand the business avoiding a justice cause.
This was often the case in America but also in Europe. That resulted in putting other names on an in fact the same With a wide spread dealer field not to sell any of their saxophones Besides that, several producers had contracts Instruments as the dealer who was buying had put his own name I frequently get questions about where to find informationĪt first I need to say that a lot of workshops didn't label some
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